Thompson’s former business partner, Daisy’s cousin and fellow heir to the family fortune, and an aunt with a talent for mismanaging funds all have reasons to hurt Daisy or her father. Nevertheless, Tanya leverages her position to get closer to the guests and settles on a few suspects. Even Daisy can bullshit her way through a blunder and explain her sudden friendship with someone her friends and family have never heard of. Tanya’s intransigence makes her seem bad at her job to be honest. You’d think that faking her way through a situation would be part of the job description, but she’s determined to look as miserable as she feels. Tanya seems physically incapable of blending in, especially when the austere security agent finds herself surrounded by a giddy bridal party and Daisy’s meddling relatives. Ever the professional, Tanya vows to put her personal feelings aside and keep Daisy safe, which turns out to be harder than expected when she arrives at the sprawling Thompson estate for the wedding weekend. Fortunately for Daisy, Tanya is great at her job unfortunately, she has a violent hatred for weddings, the result of her being left at the altar years ago. Wes Thompson (Gregory Harrison), father of the bride and a Very Rich Man, worries for his daughter’s safety after receiving threatening notes that may be linked to his impending business merger. Lead actor Brooke Burns steers the film away from disaster, and a race to thwart a possible crime keeps the story focused.īurns plays Tanya, a private security agent forced to go undercover – as a bridesmaid – to protect Daisy Thompson (Nicole Paggi) at her upcoming wedding. The movie, painted in broad, goofy strokes, is far from inspiring but has enough going to merit a viewing or two. If you’re in the mood for a mystery-romance and don’t mind dodgy acting or questionable character motivations, look no further than Undercover Bridesmaid.
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