![]() ![]() No copies of The Real Thing at Last are known to survive. Griffith intended to honor the 300th anniversary of Shakespeare's death with the production of a film version. The film was made by the newly created British Actors Film Company in response to news that American filmmaker D. Barrie as a parody of the American entertainment industry. It was written in 1916 by Peter Pan creator and playwright J. So Emerson and Fleming simply removed the film and cranked an empty camera so as not to waste film when he did so. ![]() Tree, who had performed the play numerous times on the stage, kept spouting reams of dialogue. In the companion book to his Hollywood television series, Kevin Brownlow states that Sir Herbert Tree failed to understand that the production was a silent film and that speech was not needed so much as pantomime. Although released during the first decade of feature filmmaking, it was already the seventh version of Macbeth to be produced, one of eight of the silent film era. The film stars Herbert Beerbohm Tree and Constance Collier, both famous from the stage and for playing Shakespearean parts. In him a major talent has emerged." Brando was so dedicated in his performance during shooting that Gielgud offered to direct him in a stage production of Hamlet, a proposition that Brando seriously considered but ultimately turned down. Brando's diction, which has been guttural and slurred in previous films, is clear and precise in this instance. Brando's performance turned out so well that the New York Times stated in its review of the film: "Happily, Mr. Brando asked John Gielgud for advice in declaiming Shakespeare, and adopted all of Gielgud's recommendations. Mankiewicz even considered Paul Scofield for the role of Mark Antony if Brando's screen test was unsuccessful. ![]() Welles shot Chimes at Midnight throughout Spain between 19 it premiered at the 1966 Cannes Film Festival, winning two awards.īrando's casting was met with some skepticism when it was announced, as he had acquired the nickname of "The Mumbler" following his performance in A Streetcar Named Desire (1951). In order to get initial financing, Welles lied to producer Emiliano Piedra about adapting Treasure Island, and keeping the film funded during production was a constant struggle. Neither of these plays was successful, but Welles considered portraying Falstaff to be his life's ambition and turned the project into a film. In 1960, he revived this project in Ireland as Chimes at Midnight, which was his final on-stage performance. Welles had previously produced a Broadway adaptation of nine Shakespeare plays called Five Kings in 1939. Richardson's narration is taken from the works of chronicler Raphael Holinshed. Welles said that the core of the film's story was "the betrayal of friendship." The script contains text from five of Shakespeare]'s plays: primarily Henry IV, Part 1 and Henry IV, Part 2, but also Richard II and Henry V, as well as some dialogue from The Merry Wives of Windsor. This, in turn, meant the harshness of the forest described in the text was replaced by lush greenery, which was distinctly unthreatening, with the characters' "time in the forest appear to be more an upscale camping expedition rather than exile." Director Basil Coleman initially felt that the play should be filmed over the course of a year, with the change in seasons from winter to summer marking the ideological change in the characters, but he was forced to shoot entirely in May, even though the play begins in winter. However, the location shooting received a lukewarm response from both critics and the BBC's own people, with the general consensus being that the natural world in the episode overwhelmed the actors and the story. Recorded at Glamis Castle in Scotland, this was one of only two productions shot on location, the other being The Famous History of the Life of Henry the Eight. ![]()
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